Truth Is The Word

Woe is Us

Woe is Us

A natural calamity can be a warning but a supernatural invasion can only be described as a Woe.

The First four trumpet blasts of Revelation represent ecological warnings to mankind (discussed in my previous post), but the two that follow are of an entirely different nature and are called ‘woes’. The trumpets of Revelation Chapter Eight affect humanity indirectly though the environment whereas the woes of Chapter Nine effect mankind in a very direct way.

The graphic presentations in this chapter are among the most bizarre in the book and have given rise to some weird interpretations. I have read books in which the strange locust like creatures depicted here are really Apache attack helicopters and the horses that follow them are Saracen tanks! But how are we supposed to interpret what these strange ‘beasties’ represent? Actually, it’s not that difficult to work out the general meaning of these scenes if you remember the interpretive principle of Revelation 1:20 – the truth is conveyed through symbols and is not meant to be reduced to concrete objects, dates, and numbers.

So, let’s look at the clues in the text:Woes: The bottomless pit

  • The scene opens with a ‘star that had fallen from the sky to the earth’ (Revelation 9:1). According to the interpretive key ‘stars’ equal angels, so this depicts an angel that had fallen from heaven to earth. Jesus used very similar words when He exclaimed, “I saw Satan fall like lightning from heaven” (Luke 10:18-19).
  • This fallen angel is given the key to the Abyss, the bottomless pit. Once again, we can look to Jesus to understand what this represents. Luke:8 26-33 records how Jesus confronted the hoard of demons possessing a man living in caves in the region of Gadara. Verse 31 records that they ‘begged him repeatedly not to order them to go into the Abyss’. So, the Abyss is the name assigned to the state where demons are confined and so the terrifying beings pouring out of the abyss therefore represent demons.
  • All of this is supported by the added detail that ‘they had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon, and in Greek, Apollyon’ (Revelation 9:11). i.e. the devil.

So, we can easily determine that demons constitute the first Woe, but you will need a further clue in order to understand their ‘sting in the tail’: ‘They were told not to harm the grass of the earth or any plant or tree, but only those people who did not have the seal of God on their foreheads’ (Revelation 9:4).

Their target is unsaved humanity; those who’s spirits and souls are not sealed by the Holy Spirit and protected by the truth. They rob such people of life while not physically killing them.
At this point you will need to extend some grace to me for I need to make a bold statement that I will only be able to substantiate when we get to Chapter Thirteen.

The demon locusts are a vivid symbolic depiction of HUMANISM in all its various forms.

Now this statement is probably a bit of a shock to the system. The dictionary definition on humanism is ‘a system of thought which is based on the values, characteristics, and behaviour which are believed to be best in human beings, rather than on any supernatural authority’. This is indeed how a spiritually unregenerate person would view humanism, because a worldly understanding is that humans are essentially good and that the supernatural does not exist. But, if we take the source of humanism as the rebellion of Adam and Eve in Eden, then both of these presumptions prove false – man is not inherently good and supernatural evil is both real and responsible.

I understand humanism to comprise science, medicine, philosophy, economics, technology, military power, politics, and hedonism. There is an obviously dark side to each of these, such as war, addiction, greed and so on, but why would I label the ostensibly noble pursuits of the human race as a ‘woe’? Well I don’t. What I class as a catastrophic woe is the pursuit of these things outside of the Word of God, the authority of Scripture, and the Lordship of Jesus Christ. I therefore define humanism as the godless pursuit and manipulation of the categories of human endeavour I have listed. Defined in this way humanism is nothing less than the enthronement of self and the denial of the lordship of Jesus Christ… and that is indeed a demonic woe that has plagued mankind for millennia and will ultimately deliver a death blow to godless humanity.

The second woe is just as destructive… but I will write about that next week.

 

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Christopher Peppler

Christopher Peppler

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About Me

My name is Christopher Peppler and I was born in Cape Town, South Africa in 1947. While working in the financial sector I achieved a number of business qualifications from the Institute of Bankers, Damelin Management School, and The University of the Witwatersrand Business School. After over 20 years as a banker, I followed God’s calling and joined the ministry full time. After becoming a pastor of what is now a quite considerable church, I  earned an undergraduate theological qualification from the Baptist Theological College of Southern Africa and post-graduate degrees from two United States institutions. I was also awarded the Doctor of Theology in Systematic Theology from the University of Zululand in 2000.

Four years before that I established the South African Theological Seminary (SATS), which today is represented in over 70 countries and has more than 2 500 active students enrolled with it. I presently play an role supervising Masters and Doctoral students.

I am a passionate champion of the Christocentric or Christ-centred Principle, an approach to biblical interpretation and theological construction that emphasises the centrality of Jesus

I have been happily married to Patricia since the age of 20, have two children, Lance and Karen, a daughter-in-law Tracey, and granddaughters Jessica and Kirsten. I have now retired from both church and seminary leadership and devote my time to writing, discipling, and the classical guitar. I have started a site called Classical Guitar SA to serve classical guitar enthusiasts in South Africa.